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Article Dans Une Revue Ubiquity: the Journal of pervasive Media Année : 2013

The panorama between mobile visual platforms is a sentimental bond

Gaby David

Résumé

Technically, mobile images belong to the ‘point-and-shoot’ tradition. In this scheme, mobile visual applications have facilitated changes in both the aesthetic qualities of mobile images and their effortless sharing. This mobile technology has developed hand-in-hand with its many different imaginable uses; for instance, mobile modalities allowing families and friends to communicate enable the formation of strong audio-visual bonds. This type of ‘mobile visual habitus’ is created through various sharing channels and can activate creativity, affection and social networks. Taking into account the intimacy involved in the use of mobile visual apps, this article seeks to shed light on aspects of this everyday affective mobile visual usage. How does mobile technology change our relationships with our own mobile visualities, our strong ties (i.e., bonds with friends and family), and thus our own audio-visual private history construction and those of our loved ones? As this question is overly broad, no exact answer or position can be determined. Nevertheless, through micro-social networking examples, I intend to analyze how the use of mobile visual apps will continue to change, influencing and enlarging possible methods of communication and engagement through and with private mobile images. These overarching practices will definitely continue to have an increasing impact in connection with broader cultural and social changes.
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Dates et versions

hal-01911505 , version 1 (05-02-2020)

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Gaby David. The panorama between mobile visual platforms is a sentimental bond. Ubiquity: the Journal of pervasive Media, 2013, 2 (1), pp.146-163. ⟨10.1386/ubiq.2.1.146_1⟩. ⟨hal-01911505⟩

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