Specularity in André Barsacq's Crimson Curtain (1952)
Résumé
This article reviews the various specular effects at work in André Barsacq's shakespearean mirror film, The Crimson Curtain (1952), achieved through the play-within (Macbeth) reflecting the main plot, the doppelgänger trick, the use of mirrors, and various repetition devices.
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