Être à la fois public et non-public. Quand le public des salles de cinéma Art et Essai est non-public des films Art et Essai - Archive ouverte HAL Accéder directement au contenu
Article Dans Une Revue Loisir et Société / Society and Leisure Année : 2009

Être à la fois public et non-public. Quand le public des salles de cinéma Art et Essai est non-public des films Art et Essai

Résumé

In France, we can find films and movie theatres that are subsidized by government and film authorities that are designated with the Art label. This support entails the labelling of some of the films that come out every week – approximately 3 out of 5 of all new films. Said films are recognized for their filmic value. It materialises as assistance given to movie theatres which devote at least some of their programming to Art Films or experimental films. However, Art movie theatres do not only showcase this type of film, thus the question arises : is there not a public of Art houses that can also be considered as a non-public of Art movies ? Based on the results we gathered from two surveys (n = 984 and n = 250) conducted in a number of Art houses, we will demonstrate that certain individuals can, in fact, be a public in said theatres, all the while being a non-public for the films that allow these theatres to obtain an institutional recognition. We will point out how the non-public category is a socio-discursive construction used to indistinctively label a group of individuals who does not go to certain venues and does not expose itself to certain artistic or cultural objects, while both these activities – the use of a venue and the artistic delectation – are to be dissociated.
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Dates et versions

hal-04532092 , version 1 (04-04-2024)

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Citer

Michaël Bourgatte. Être à la fois public et non-public. Quand le public des salles de cinéma Art et Essai est non-public des films Art et Essai. Loisir et Société / Society and Leisure, 2009, 32 (1), pp.147-171. ⟨10.1080/07053436.2009.10707787⟩. ⟨hal-04532092⟩
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