(Trans) media and journalistic innovations: how are information experiences redesigned today?" - Archive ouverte HAL Accéder directement au contenu
Communication Dans Un Congrès Année : 2019

(Trans) media and journalistic innovations: how are information experiences redesigned today?"

Résumé

In a context marked by the transformation of the media landscape and the evolution of consumer practices, journalistic innovations are experimenting with ways of producing and appropriating information that would be adapted to the public. New journalistic "formats", revisited (Pélissier & Eyriès 2014) or unpublished (Le Champion 2012), such as webdoc, data journalism, newsgame (Lamy & Useille 2012), explore new paths by drawing on the polymorphic variety of digital cultures. Many are inserted and arranged in kaleidoscopic transmedia paths that exploit the "mediativity" (Marion 1997) specific to each of the media used according to the "story" to be told (Koci Hernandez & Rue 2016). They allow the spectator to engage in multitasking as a receiver, interpreter, interlocutor or player (Aïm 2013) that will shape his or her informational experience as in The refugee challenge: can you break into Fortress Europe?, an online game produced in 2014 by The Guardian. Within the framework of an approach that is enriched by the contributions of intermediality (Müller, 2000) and transmedia (Henry Jenkins, 2008), this paper will put into perspective research devoted to datajournalism or newsgame (serious information game) by studying more recent productions from immersive journalism (using virtual reality), for example, The Enemy produced by Karim Ben Khelifa in 2017, which regenerates "protocols" (Jenkins 2008), i.e. practices of construction of meaning characteristic of contemporary media cultures (Maigret & Macé 2005); which also embrace journalism. The aim will be to analyse, through a few significant case studies, both on the productions and on the journalistic discourses that accompany them, how the media processes implemented shape the viewer's experience. The latter now occupies a central place in the media system, making the "reception" instance the co-producer of information. Thus, in the case of immersive reporting, the viewer is invited to become part of the scene being explored, which questions, through the transparency claimed, journalistic mediation and the relationship to reality instituted in its epistemological dimension (Gauthier 2016). Would we ultimately be faced with a paradigm shift that, by challenging the principles of journalism (Kovach & Rosentiel 1985, 2012), would change the very meaning of the information experience?
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Dates et versions

hal-04507640 , version 1 (16-03-2024)

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  • HAL Id : hal-04507640 , version 1

Citer

Angelina Toursel, Philippe Useille. (Trans) media and journalistic innovations: how are information experiences redesigned today?". Online disinformation: an integrated view |#2 Countering online disinformation, Oslo Metropolitan university, May 2019, Oslo, Norway. ⟨hal-04507640⟩
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