The present catalogue includes several works that are related to the end or the death of art (Manu Invisible; Joshua De Loa and Tayisyia Libokhorska; Marco Locatelli and Raffaele Moretti). We can see that the philosophical discourse on the end of art is there the material of the works themselves. This seems to verify on one side the thesis that art has fulfilled his process of becoming conceptual, the process of its dematerialization in the modern times. Art has not any other content than art itself, in the shape of a philosophical discourse on itself. But on the other side the opposite also happens, namely that the philosophical discourse becomes the material of the work of art, it has been made sensible through performance, videos, pictures. Such is the sensitisation of the philosophy through art. The concepts tend to collapse and dissolve into the single appearance of a visible surface. The EAT is disfracted as well, decomposed, in its different echoes, resonances, in a plurality of splinters. In these cases, it is the thesis of the death of art itself that seems to be dead.