Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound - Archive ouverte HAL Accéder directement au contenu
Article Dans Une Revue (Article De Synthèse) Journal of the Royal Musical Association Année : 2021

Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound

Résumé

How are sociotechnical imaginaries and ontological assumptions about sound related to affect and conflict spaces? What do sociotechnical imaginaries tell us about social and individual control of sonic environments? Why is it important to think about ontological assumptions of sound when recovering aural experiences of the past in archives? The three books under consideration in this review article address these questions in different ways. They explore the use of media devices to produce affect and social relations, the role of categories of music and noise in the control of urban spaces, and the politics of archival sounds and silence.
Fichier principal
Vignette du fichier
2021_Music, Noise and Conflict_Velasco-Pufleau.pdf (125.02 Ko) Télécharger le fichier
Origine : Publication financée par une institution

Dates et versions

hal-03375355 , version 1 (02-12-2021)

Licence

Paternité

Identifiants

Citer

Luis Velasco-Pufleau. Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound. Journal of the Royal Musical Association, 2021, 146 (2), pp.501-508. ⟨10.1017/rma.2021.18⟩. ⟨hal-03375355⟩
56 Consultations
38 Téléchargements

Altmetric

Partager

Gmail Facebook X LinkedIn More