This contribution is about a translation of the book Vampyroteuthis Infernalis into a dialogic media. In Vampyroteuthis Infernalis, Vilém Flusser describes an abyssal creature, opposite in every point with humans. From 1981 to 1991, the book mutates within the writing process of Flusser engaging with letters, oral dialogues, essays, courses and translations. There is a genealogy of the Vampy and of the vampyroteuthian model from the French version to the Brazilian one. I will call this model Vampy, a borrowed term from the relationship between Louis Bec and Vilém Flusser (Marburger 2016). The article emphasizes the Flusser’s programmatic vision in the Vampyroteuthis. How can the philosophy of Flusser’s programs, embodied in the Vampyroteuthis, serve us as a lighthouse in the “moment of the living” (Worms 2016) that we are going through nowadays? Taking into account the three different versions of the vampy, from the French to the Brazilian one, I propose to contextualize the Vampyroteuthis inputs into the thinking of the livings. In this regard, the French version, which is the first unpublished version, is a typescript given as a gift to his friend, the artist Louis Bec. It deals with an important scientific context. We have to note the existence of the French molecular school of biology with Jacob and Monod, and the presence of thinkers such as Bergson and Canguilhem. In the late 1960s, biology is redefined by DNA discovery and the notion of code: that’s the historical moment of molecular biology. It changed our entire way of seeing living beings. However, it may happen that this moment also lacks the critical point that Flusser made about our programmatic condition of existence.