Coloured phenomenons and design reception for a contemporary art of filter
Résumé
If, as Malevitch affirmed, optical perception is the true material of the painter, then the colored manifestation is the material of the work. The artist seeks the sensitive, technical and experimental knowledge of the matter in order to organize it according to plastic qualities. It is in the aesthetic sphere that he carries out his research: to link physical properties to properties perceptible by the eye. If the creation of the artist is conjunctural, the reception of the art object is it not also? Can't we distinguish different modes of meaning within the process of appropriation of the work by the receiver?
Domaines
Art et histoire de l'art
Origine : Fichiers produits par l'(les) auteur(s)