The sentiment, the invisible of the painting in the proof of the visible: the colourism of Delacroix through the art criticism of Baudelaire
Le sentiment, l’invisible de la peinture à l’épreuve du visible : le colorisme de Delacroix à travers la critique d’art de Baudelaire
Résumé
The article aims to analyse, following the example of some paintings of Delacroix, how the "invisible part" of the painting (the sentiment, or feeling) can be made visible by the colour. To do this, we shall draw on the critical writings that Baudelaire devoted to the painting of Delacroix. At the same time, by focusing on the notion of sentiment, we shall try to connect, from a historical perspective, the colourist conception of the painting to the artistic theories of the Enlightenment, and point up the modifications undergone by this concept within French discourse on art.
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le-sentiment-linvisible-de-la-peinture-a-lepreuve-du-visible-le-colorisme-de-delacroix-a-travers-la-critique-dart-de-baudelaire.pdf (168.31 Ko)
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