This is an unpublished paper presented at a conference of the Network for the Study of Archaic and Classic Greek Song, "The Genres of Archaic and Classical Greek Poetry. Theories and Models" (Univ. of California, Berkeley, sept. 25-28, 2015, org. Leslie Kurke). This work is part of a larger current project about the relations of ancient and contemporary choreographic thought and practices, especially in a both queer and post-classic perspective.