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Communication Dans Un Congrès Année : 2019

Classical Chinese Theatre for Different Times: French Translations and Retranslations

中国古代戏曲在不同时代中的法语翻译与重译

Résumé

Like all rewritings, a translation is highly related to the environmental factors—social, temporal, cultural—in relation to which it is produced. Much more than the original works, which are timeless, translations depend on the particular time that fashioned them. It can even be said that there is no translation "forever": the translation must always be redone. If the original is never outdated, the translation must always be updated, otherwise it will become incomprehensible. It is for good reason that retranslation is a concept in its own right in the field of Translation Studies. The case of the presence of Chinese theatre in the French language is a good example of this need to translate and retranslate again in order to meet the expectations of different historical periods, including ours. This relationship has a history of more than three centuries, which gives us enough perspective to understand how different eras produced their own Chinese dramas.
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hal-02408624 , version 1 (13-12-2019)

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  • HAL Id : hal-02408624 , version 1

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Rainier Lanselle. Classical Chinese Theatre for Different Times: French Translations and Retranslations. The 4th International Eastern and Western Summit of Writers, Translators and Critics 第四届东方与西方国际作家、翻译家、评论家高峰论坛, Guangxi University 广西大学, Dec 2019, Nanning 南宁, China. ⟨hal-02408624⟩
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