Dusapin's Third Style in Faustus, the Last Night
Le troisième style de Dusapin dans Faustus, the last night.
Résumé
Born in 1555, Pascal Dusapin is now probably France's most famous living composer. His opera Faustus (2006) was composed during a transitional period, when his second and third styles coexisted. His second style, which we could call « intonationnism » (close to speaking), was mostly typical of the 1990s. His third style came in the early 21st century. The musical language was then more romantic, more devoted to strings. Another details firmly enshrine this opera in the key topics of the new millennium : postmodernity, humour, regression.
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