The pitch perceived for short vocal vibrate tones was measured using a method of adjustment. The stimuli were synthetic vocal tones, produced by a formant synthesizer. The main parameter under study was the tone duration, as a function of the fractional number of vibrate cycles. This parameter was examined in relation to (1) the vibrato extent (0, 50, 100, and 200 cents); (2) the vibrato rate (4, 6, and 8 Hz); (3) the tone nominal frequency (220, 440, 880, and 1500 Hz). Durations ranging from 1/2 cycle to 2 cycles were studied. Our results showed that for short ones, the pitch perceived does correspond to a weighted time average of the F0 pattern. A separate perception took place for the high and low parts of the vibrate cycles, for large vibrate extents or slow vibrate rates.This phenomenon was related consistently with the glissando threshold. A simple numerical model of weighted time averaging with threshold was proposed. It demonstrateda good agreement with our experimental data. Finally, the experimental results obtained, and the model proposed were able to explain the musical perception of complex F0 patterns, like those present in actual singing.