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              <p>La scène naturaliste des « bisons adossés » de Lascaux, déjà étudiée par les archéologues, pose la question de la conception d'une telle figure par les artistes magdaléniens. Afin de déterminer les différents modes d'application, la nature des matières picturales employées et leur mode de préparation, plusieurs prélèvements ont été étudiés par microscopie électronique. Six prélèvements, provenant de zones caractéristiques de ces deux bisons, nous permettent de reconstruire les gestes et de comprendre les intentions de ces hommes.</p>
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