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              <p>Japan has been the subject of a comparative discourse since the Portuguese first broached itin the sixteenth century. One of the most constant motifs of this comparative discourse is thenotion of Japan as the “absolute other”, an extremely alien culture, a perfect antithesis. Thismotive emerged early in a text written in 1585 by Jesuit Luis Frois. It has undergone sev-eral variations, like that of the “topsy-turvydom”, and has recently resurfaced among severalcontemporary thinkers who never tire of brooding on this apparently inexhaustible topos.</p>
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