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            <title xml:lang="en">Qualques reflexions sul principi poetic e la temporalitat liura dins Sonets barròcs enta Iseut</title>
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                <title xml:lang="en">Qualques reflexions sul principi poetic e la temporalitat liura dins Sonets barròcs enta Iseut</title>
                <title xml:lang="fr">Quelques réflexions sur le principe poétique et la temporalité libre dans "Sonets barròcs enta Iseut"</title>
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                    <forename type="first">Laurent</forename>
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                <title level="j">Lengas : revue de sociolinguistique</title>
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                <term xml:lang="en">Occitan literature (20th century)</term>
                <term xml:lang="en">Tolkien</term>
                <term xml:lang="en">mythopoeia</term>
                <term xml:lang="en">Iseult</term>
                <term xml:lang="en">Pierre Bec</term>
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              <p>Sonèts barròcs enta Iseut (1979) shows Pierre Bec as a poet elaborating his creation upon a background of references to the medieval literature - main object of Pierre Bec’s researches as a scholar. Rewriting the myth of Yseult in order to create a poetic work at the same time modern and freed from temporality is one of the main specific features of the Sonèts barròcs enta Iseut. If the book is freed from temporality, this is never with the aim of recreating an ersatz of Middle Ages. The analysis of some poems in this paper suggests that the connection between the medieval reference and the poetical language is made around the death and resurrection of the Occitan language : as Iseut (Yseult) seems to die and be reborn, the lost language comes back again, in a new shape, both alike and different.</p>
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              <p>&lt;div&gt;&lt;p&gt;Publicats en 1979, los Sonets barròcs enta Iseut constituisson una òbra poetica que, se farga dins los ressons pròpris a l'univèrs literari de Pèire Bèc. Enrasigats tre lor títol dins doas epòcas de la literatura occitana (la primièra mitat «Sonets barròcs» evòca la renaissença del segle XVI en e la segonda «enta Iseut» l'Edat Mejana), la dedicaça a la memòria de Ramon Busquet i apond la referéncia a la renaissença del segle XX en .&lt;/p&gt;&lt;p&gt;La referéncia fa sens al nivèl formal: per aquesta dedicaça, es la forma del sonet que se tròba presa dins un miralhejar intertextual entre doas epòcas de la literatura occitana, doas renaissenças.&lt;/p&gt;&lt;p&gt;La plaça de l'Edat Mejana i es pasmens notabla: se l'epigraf religa l'òbra a l'univèrs literari liric trobadoresc, es pasmens una figura romanesca que i es centrala al punt de n'èstre un personatge eponim del recuèlh. D'autras figuras medievalas rajan dins los poèmas: Perceval e benlèu lo Wanderer anglosaxon… Enfin dins aqueste recuèlh, en mai de jògar un ròtle per la forma poetica causida, l'intertextualitat trabalha a fargar un dialòg entre literatura d'ièr e paraula poetica presenta : l'evocacion geografica de luòcs -que sián dins las doas primièras seccions del recuèlh o dins la darrièra partida intitolada « Païsatges »-desenvolopa aqueste «anar e tornar» dins una temporalitat liura a l'encòp mitica e personala.&lt;/p&gt;&lt;/div&gt; &lt;div&gt;Introduccion&lt;p&gt;Per durbir ma reflexion sul recuèlh de Pèire Bèc, començarai per evocar un poèma que sembla primièr aver pas res de veire amb los Sonets barròcs enta Iseut. S'agís de vèrses del poèta anglés del sègle XX en , Wystan Hugh Auden dedicats a un autor plan conescut e Qualques reflexions sul principi poetic e la temporalitat liura dins Sonets b..&lt;/p&gt;&lt;/div&gt;</p>
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