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            <title xml:lang="ru">Из истории Казахстанского театра кукол</title>
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                <forename type="first">Irina</forename>
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            <idno type="halRefHtml">&lt;i&gt;Вестник КазНПУ им.Абая&lt;/i&gt;, 2015, Исторические и социально-политические науки, 2 (45), pp.4-8</idno>
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                <title xml:lang="ru">Из истории Казахстанского театра кукол</title>
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                <title level="j">Вестник КазНПУ им.Абая</title>
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                  <publisher>Казахский Национальный педагогический университет им. Абая</publisher>
                  <biblScope unit="serie">Исторические и социально-политические науки</biblScope>
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                <term xml:lang="ru">puppet theater</term>
                <term xml:lang="ru">orteke</term>
                <term xml:lang="ru">traditional culture</term>
                <term xml:lang="ru">musical and theatre performance</term>
                <term xml:lang="ru">кукольный театр</term>
                <term xml:lang="ru">ортеке</term>
                <term xml:lang="ru">традиционная культура</term>
                <term xml:lang="ru">музыкально-театральное представление</term>
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              <p>This article delivers a brief review of the Kazakhstan puppet theater history and recons from the ancient Turkic age and extends to the modern puppetry arts. A special consideration is devoted to the study of the existence of the indigenous arts of the Kazakh nation – the Orteke [OR-Teh-Keh]. The article lists examples of the evolution of the ancient art of "the dancing goats". The second part of the article is devoted to the history of the puppet theater of Kazakhstan during the Soviet era. The repertoire, subject, technical features of the puppet theater created under the direct influence of the Soviet Russian theater are analyzed as well. The last part of the article is devoted to description of one of the most famous and favourite characters of the Kazakh legends – Aldar-Kosse. The author provides adetailed description of the Aldar Kosse doll design, his suit, and ways of manipulation.</p>
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              <p>Статья представляет краткий исторический обзор кукольного театра Казахстана, начиная с древнетюркского периода и заканчивая современностью. Особое внимание в статье уделено проблеме изучения и бытования самобытного искусства казахского народа – ортеке, приводятся примеры эволюции древнего искусства «пляшущих козликов». Вторая часть статьи посвящена истории кукольного театра Казахстана в советскую эпоху. Анализируется репертуар, тематика, технические особенности кукольного театра, сформированного под непосредственным влиянием российского советского театра. Последняя часть статьи посвящена характеристике одного из самых известных и любимых персонажей казахских легенд – Алдара Косе. Автором приводится подробное описание конструкции куклы Алдара Косе, его костюма, способов управления.</p>
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