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            <title xml:lang="fr">Collecter et archiver en territoire transfrontalier</title>
            <title xml:lang="fr" type="sub">Les musiques de tradition orale dans l’espace rhénan</title>
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            <idno type="halRefHtml">&lt;i&gt;In Situ : Revue des patrimoines&lt;/i&gt;, 2024, 54 (Patrimonialisation et revival de l’oralité musicale : France – Italie, 1960-2020), https://journals.openedition.org/insitu/43578. &lt;a target="_blank" href="https://dx.doi.org/10.4000/12w7r"&gt;&amp;#x27E8;10.4000/12w7r&amp;#x27E9;&lt;/a&gt;</idno>
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                <title xml:lang="fr">Collecter et archiver en territoire transfrontalier</title>
                <title xml:lang="fr" type="sub">Les musiques de tradition orale dans l’espace rhénan</title>
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                    <forename type="first">Sandrine</forename>
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                <title level="j">In Situ : Revue des patrimoines</title>
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                <term xml:lang="fr">Musique de tradition orale</term>
                <term xml:lang="fr">Alsace</term>
                <term xml:lang="fr">Espace rhénan</term>
                <term xml:lang="fr">diversité musicale</term>
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              <p>Oral music in Alsace has recently developed in interaction with other aesthetics and through cultural policies that make the territory a criterion for action. We will consider a diversity of collecting practices and scales, focusing in particular on the case of Mulhouse, which has a long history of migration that enables us to understand the interrelationship between different musical aesthetics. We will then look at the claimed links between music and the Alsace region, and finally extend our discussion to the Upper Rhine, questioning the relevance of this scale for understanding the historical dimension of cultural exchange in the Rhine area. This will lead us to examine the possibility of grasping in the present the links between territory and becoming a musician.</p>
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              <p>Les musiques orales en Alsace se sont construites récemment en interaction avec d’autres esthétiques et au moyen de politiques culturelles qui font du territoire un critère d’action. Nous prendrons en compte une diversité de pratiques de collectes et d’échelles, en nous attachant plus particulièrement au cas de Mulhouse qui possède une longue histoire migratoire permettant d’appréhender l’interrelation entre différentes esthétiques musicales. Nous aborderons ensuite les liens revendiqués entre musique et région alsacienne pour élargir enfin notre propos au Rhin supérieur, interrogeant la pertinence de cette échelle pour comprendre la dimension historique des échanges culturels dans l’espace rhénan. Cela nous conduira à examiner la possibilité de saisir au présent les liens entre territoire et devenir musicien.</p>
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