What are the features of the temporal experience we do listening a sound art event?

Sound art in its multiplicity of forms reveals the immanent character of music. More than other musical practices it lies at the heart of the issue of contemporary musical paradigm.

By analysing the compositional technics used in Corpo e mente (2021), the first experimentation of my thesis project, I will introduce the analysis of musical form from an energetic point of view. We will put our focus on the energy that materializes itself in sounds (Simondon, 1963), on the virtuality (Bergson, 1939) of duration transforming sounds and moving throughout them. This project is based on methodologies (Delalande, 2019) and musicological theories (Kozak, 2020) which consider the active presence of the listener, as a part of the musical phenomenon analysed.