(Dis)Playing Exotic Otherness in the Circus: The Bouglione Wild West Show
Résumé
In this article, the authors address the presence and societal impact of Romani people in the public spaces of the circus. The focus is on the French circus family Bouglione, originally Sinti from Italy, and their Wild West show performed in France and abroad from 1925 to 1934. As well as forming arenas for cultural transfer, circuses and similar exhibitions made entryways to exotic otherness. The remarkably successful exhibition brought the family both status and wealth, enabling the Bougliones to operate the Cirque d’Hiver (Winter Circus) in Paris, which continues to enjoy renown for having one of the most prestigious circus venues in the world. The authors’ contribution examines how the Romani family carefully followed social phenomena and used their Wild West show not only to respond to a general interest in exotic exhibits but also to satisfy a contemporary desire for an anti-bourgeois lifestyle. Although the Wild West Show represented a financial undertaking for the Bougliones, it also strengthened the family's societal security.