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                <term xml:lang="en">Apollinaire Anakesa Kululuka;West Africa, 20th century, contemporary music, traditional music, musical technology, innovation, performance, scholarly and African musical theory and philosophy, musical creation, musical practices and performances.</term>
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                <term xml:lang="fr">XXe siècle</term>
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              <p>The 20th century is a time of unprecedented change for humanity. It has enabled the emergence and considerable growth of technical, technological and media resources, but also of transport and communications. These have, among other things, enabled and encouraged the rapprochement of cultures, and modes of thought, knowledge, techniques and know-how have been revolutionized. Through this, contemporary music has benefited from this revolution which has led to a renewal of compositional models and approaches. Spaces were then established there open to experiments of all kinds. This will contribute to the development of new techniques and aesthetics, as well as new environments for musical creation and invention. At the same time, there is a renewed interest in non-Western practices, musical theories and underlying philosophies, including African ones.</p>
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              <p>Le XXe siècle est un temps de mutations sans précédent pour l'humanité. Il a permis l'émergence et l'essor considérable des moyens techniques, technologiques et médiatiques, mais aussi des transports et des communications. Ceux-ci ont, entre autres, permis et favorisé le rapprochement des cultures, et les modes de pensées, de savoirs, de techniques et de savoir-faire s'en sont trouvés révolutionnés. Par ce truchement, la musique contemporaine a bénéficié de cette révolution qui a induit ici un renouvellement des modèles et des démarches compositionnels. Il s'y est alors établi des espaces ouverts à des expérimentations en tout genre. Cela contribuera à l'élaboration de techniques et d'esthétiques inédites, ainsi qu'à de nouveaux environnements de création et d'invention musicales. Dans le même temps se manifeste un regain d'intérêt pour les pratiques, les théories musicales et les philosophies sous-jacentes extra-occidentales, dont celles africaines.</p>
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