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            <title xml:lang="fr">La scène coopérative de la danse contemporaine à Nantes</title>
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            <idno type="stamp" n="UNIV-UBS">Université de Bretagne Sud</idno>
            <idno type="stamp" n="UNAM">l'unam - université nantes angers le mans</idno>
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                <title xml:lang="fr">La scène coopérative de la danse contemporaine à Nantes</title>
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                    <forename type="first">Pauline</forename>
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                <title level="j">Recherches en Danse</title>
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                <term xml:lang="fr">cultural policies</term>
                <term xml:lang="fr">Scene</term>
                <term xml:lang="fr">cooperation</term>
                <term xml:lang="fr">scène Contemporary dance</term>
                <term xml:lang="fr">politiques culturelles</term>
                <term xml:lang="fr">Nantes</term>
                <term xml:lang="fr">danse contemporaine</term>
                <term xml:lang="fr">Coopération</term>
                <term xml:lang="fr">Danse</term>
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              <p>There has been remarkable boom in contemporary dance in Nantes. We examine this phenomenon from the point of view of the scène, a French word that relates to both the physical stage and a cultural scene, as this concept has been explored in the ANR SCENA. This «stage-scene» is lived (by the performers), perceived (by citizens), and constructed (by politicians and by the media). It is embedded intricately in a variety of relationships and networks, and rooted within a specific territory. Taking as a starting-point the competitive nature of work in contemporary dance, due to the flexible, even precarious nature of the artists’labour and to the intrinsically restrictive effects of the market, we seek here to understand how the actors in every element of this Nantes scène grasp, influence, and modify the hierarchical institutional structure of public action. We observe that these actors’ability to co-operate is one of the scène’s major characteristics, fuelling its vitality and attractiveness.</p>
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              <p>Devant le foisonnement perceptible de la danse contemporaine à Nantes, le projet est ici de la saisir au prisme de la scène telle que le concept a été travaillé au sein de l'ANR SCAENA en tant que scène vécue (par les acteurs), perçue (par les citoyens), construite (par le politique), médiatique, enchâssée dans un faisceau de relations et de réseaux et ancrée sur un territoire. Dans un contexte concurrentiel dû à l'hyperflexibilité du travail des artistes et au frein endogène qu'est le déséquilibre structurel du marché du spectacle, il s'agit de comprendre comment les acteurs s'emparent, influencent, modifient la structure institutionnelle et hiérarchisée instaurée par l'action publique dans le contexte nantais. La capacité des acteurs de l'ensemble de la filière à coopérer s'affirme être une des caractéristiques majeures de cette scène, alimentant ainsi sa vitalité et son attractivité.</p>
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