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                <title level="m">Le Présent au cœur du théâtre</title>
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              <p>Montrer le présent, aborder le présent est un réel dé  pour le théâtre en Iran. De nombreuses lignes rouges, officielles et officieuses, à respecter, pourraient rendre périlleuse toute tentative d’effleurer de très près les domaines divers allant de la politique et des instances du pouvoir en place jusqu’à bien sûr la religion, ses représentants et ses institutions, en passant par les troubles sociaux, les revendications régionales, communautaires et le mouvement syndical ou ouvrier ainsi que les agitations universitaires et même les crises économiques. Par ailleurs, les restrictions imposées concernant les rapports homme-femme et l’intimité entre les deux sexes ne laissent que peu de marge de manœuvre aux praticiens du spectacle pour sonder l’intimité émotionnelle dans les relations interpersonnelles sur scène à l’heure actuelle. Un contrôle multi-étapes veille ainsi au respect des limites à ne pas franchir et des barrières à ne pas dépasser. […]Comment dès lors le théâtre iranien parvient-il à représenter le présent ? À déjouer pièges et interdictions ?</p>
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