Concezione drammaturgica e materialità della scena. La processualità trasversale nelle evoluzioni contemporanee del teatro di figura
Résumé
After the historical transformations experienced by puppet theatre during the 20th century – the severe crisis of the post-war period, the professionalisation of the 1960s, and the experimentations from 1970s onwards – the figure of the puppeteer has become increasingly articulate and, at the same time, has opened up to different collaborations towards more complex theatrical forms.
In contemporary times, the processes of artistic creation with puppets see the puppeteer engaged in multiple roles (depending on the case, director, actor, performer, playwright, set designer), and in dialogue with other professionals in the performing arts.
Through the analysis of different ways of collaboration put into practice by Italian and French puppeteers, the paper questions the transversal process linked to the concept of “Theatrical Mind” in the contemporary evolution of visual and puppet theatre.
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