Between Time & the Screen
Résumé
How do we understand temporality in documentary cinema and what are some methods that documentary filmmakers can use to express time? How can we ever transmit even a small essence of that profound experience of inhabiting time with our subjects to the spectator? Where do our notions of time, emotion and the senses begin and end? And if our relationship to time is linked to our emotions and senses, what are the epistemological implications of transmitting this feeling of time? And what of the relationship to space? How can we relate present-space/time to past or future space/time? What can we learn from cinema in these respects and its facility with working with and reshaping time?
Domaines
Anthropologie sociale et ethnologieOrigine | Fichiers éditeurs autorisés sur une archive ouverte |
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