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                <term xml:lang="fr">photographies.</term>
                <term xml:lang="fr">isolation</term>
                <term xml:lang="fr">matériaux tampons</term>
                <term xml:lang="fr">climat</term>
                <term xml:lang="fr">Encadrement</term>
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              <p>Mounting and framing can be an effective means of protecting documents stored or exhibited in unsuitable environments in terms of both humidity and air quality. This study, carried out in collaboration with conservators, aimed to understand the thermo-hygrometric variations within various types of mounts commonly applied for temporary exhibitions of photographic prints by the partner institutions. Photographs mountings, more or less humidity-tight, were prepared and left for several months in a poorly insulated room subject to sudden variations in temperature and humidity. The comparison of the climate inside and outside the frames allowed conclusions to be drawn about the effectiveness of each of these frames and the potential benefits of applying these passive, low ecologic impact methods for protecting the works.</p>
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            <abstract xml:lang="fr">
              <p>Le montage et l’encadrement peuvent s’avérer des moyens efficaces pour protéger les oeuvres conservées ou exposées dans des environnements inadaptés, tant au niveau de l’hygrométrie que de la qualité de l’air. Cette étude, réalisée en collaboration avec des conservateurs-restaurateurs, visait à appréhender les variations thermo-hygrométriques à l’intérieur de divers types de montage couramment appliqués pour des expositions temporaires de tirages photographiques par les institutions partenaires. Des encadrements de photographies, plus ou moins hermétiques à l’humidité, ont été préparés et laissés plusieurs mois dans une pièce mal isolée et soumise à des variations brutales de température et d’humidité. La comparaison du climat à l’intérieur et à l’extérieur des montages a permis de tirer des conclusions sur l’efficacité de chacun de ces montages et le bénéfice qu’il pourrait y avoir à appliquer ces méthodes passives, à faible impact écologique, pour la protection des oeuvres.</p>
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