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                <term xml:lang="en">plasticity</term>
                <term xml:lang="en">aesthesia</term>
                <term xml:lang="en">Wassily Kandinsky</term>
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                <term xml:lang="fr">Klänge</term>
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              <p>The article aims to contribute to the exploration of the logics of the sensitive through a reflection on plasticity in aesthetics. Wassily Kandinsky’s work of art Klänge leads us to observe how matter is continuously shaped in aesthesia, supporting and accompanying the emergence of forms and figures, the creation of atmospheric effects, but also underpinning the return to properly material values and appeals. This collection of poems and engravings, occasionally triggering resonances between the visual and the verbal, is mainly a work of art that exploits what the artist calls sonority, a concept he elaborates from the poetic use of the word and extends to colour and pictorial elements, beyond any referential anchoring. The book, which is coeval with, and perhaps even a driving force behind, the transition to a so-called abstract art, is also a pivotal work of art for assessing the aesthetic turn envisaged by the artist in his theoretical writings. It prompts a reflection on plasticity that, disregarding the delimitation of the latter to certain materials or genres, also goes beyond the opposition between the abstract and the figurative, or between the plastic and the iconic. Plasticity then turns to be a key concept for the understanding of morphological dynamics and allows to note how, in aesthetic apprehension, matter is informed at various degrees of figurability.</p>
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              <p>L’article se propose de contribuer à l’exploration des logiques du sensible par une réflexion sur le plastique. L’œuvre Klänge de Wassily Kandinsky amène à observer comment la matière se façonne continuellement dans l’appréhension sensible, en supportant et accompagnant l’émergence de formes et figures, la création d’effets d’ambiance, mais en étayant aussi le retour à des valeurs et attraits proprement matériels. Recueil de poèmes et gravures où se déclenchent parfois des résonances entre le visuel et le langage verbal, Klänge est avant tout une œuvre qui exploite ce que l’artiste appelle sonorité, concept qu’il élabore à partir de l’usage poétique du mot et qu’il étend à la couleur et aux éléments picturaux, au-delà de tout ancrage référentiel. Le livre, contemporain, et peut-être même moteur, du passage à un art dit abstrait, est également une œuvre charnière pour entendre le tournant esthétique envisagé par l’artiste dans ses écrits théoriques. Il incite à une réflexion sur la plasticité, qui, en faisant fi de la délimitation de celle-ci à certains matériaux ou genres, dépasse aussi l’opposition entre l’abstrait et le figuratif, ou entre le plastique et l’iconique. Le plastique se tourne alors en concept-clé pour la compréhension de dynamiques morphologiques et permet de relever comment, dans la saisie, la matière est informée à divers degrés de figurabilité.</p>
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