Transcoding as a Compositional Paradigm
Le transcodage comme paradigme de composition
Résumé
This paper focuses on one of the author’s compositions, Outer Space, conceived using transcoding techniques between musical and visual parameters, such as the relative percentage of black and white dots per frame and the difference between the position of the dots from one frame to another.
Mots clés
algorithmic music musical composition experimental film video analysis Max/ MSP orchestration algoritemska glasba glasbena kompozicija eksperimentalni film video analiza Max/MSP orkestracija
algorithmic music
musical composition
experimental film
video analysis
Max/ MSP
orchestration algoritemska glasba
glasbena kompozicija
eksperimentalni film
video analiza
Max/MSP
orkestracija
Origine | Fichiers produits par l'(les) auteur(s) |
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