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              <p>Notre-Dame du Nil (2012) by Scholastique Mukasonga recounts the daily life of a girls’ high school in Butare, Rwanda in 1973, and the novel ends with the genocidal violence that preceded the putsch of Juvénal Habyarimana. Mukasonga’s realistic style and the numerous invitations to read this novel as a novel with keys allow us to contrast her use of fiction, which is intended to be transparent and revealing of the violence at work, with that of the conspiratorial characters, who convey a discourse that dehumanizes the Tutsis and lead to the violence against the Tutsi girls at the high school. Their genocidal fable, rooted in the colonial era, gives this plot a multi-scalar dimension rooted in the colonial history of Rwanda.</p>
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              <p>Notre-Dame du Nil (2012) de Scholastique Mukasonga raconte le quotidien du lycée de jeunes filles de Butare au Rwanda en 1973, et le roman se finit sur les violences génocidaires qui précédèrent le coup d’État de Juvénal Habyarimana. Le style réaliste de Mukasonga et les nombreuses invitations à lire ce roman comme un roman à clés permettent d’opposer son usage de la fiction, qui se veut transparent et révélateur des violences à l’œuvre, et celui des personnages comploteurs, qui véhiculent un discours déshumanisant à l’égard des Tutsi et conduisent aux violences visant les jeunes filles tutsi du lycée. Leur fable génocidaire, qui prend racine dans l’époque coloniale, donne à ce complot une dimension multiscalaire ancrée dans l’histoire coloniale du Rwanda.</p>
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