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                <forename type="first">Hélène</forename>
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                <title xml:lang="en">J. M. Synge and Cultural Trauma</title>
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                    <forename type="first">Hélène</forename>
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              <p>What constitutes the “after” of terror? Is not terror precisely that which shatters any sense of chronology and linearity? If one takes terror as a traumatic experience which stupefies the subject and plunges him or her in a state of mental numbness, leaving his or her psyche fixated indefinitely on the traumatic event, the very possibility of an after is indeed put into question. Terror as trauma requires a rethinking of temporal categories such as precedence or posteriority. This article strives to demonstrate how the terror of the Irish Famine resonates in the writings of J. M. Synge (1871-1909) and how Synge found in the theatre a medium fit to give an aesthetic expression to collective and cultural trauma. It argues that what made theatre especially appropriate for his purpose is the possibility it allows to treat time in a radically unconventional manner.</p>
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              <p>Comment penser l’ « après » de la terreur ? La terreur n’anéantit-elle pas toute forme de chronologie ou de linéarité ? Entendue comme une expérience traumatique qui stupéfie le sujet et le plonge dans une hébétude infinie, elle est précisément ce qui nie la possibilité même d’un après. La terreur invite à repenser les catégories temporelles, telles l’antériorité ou la postériorité. Cet article s’intéresse aux traces qu’a laissées la Grande Famine irlandaise dans l’œuvre de J. M. Synge (1871-1909) et aux raisons qui poussèrent Synge à se tourner plus particulièrement vers le théâtre. Les multiples possibilités qu’offre le théâtre pour traiter des questions temporelles en font un genre particulièrement à même de donner une expression artistique au trauma.</p>
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