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            <title xml:lang="it">« Montgrand traduttore dei Promessi sposi : “ce plaisir qui fait qu’on s’arrête devant une glace, quand on se trouve bien mis” »</title>
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            <idno type="halRefHtml">ed. Silvia Tatti - Stefano Verdino. &lt;i&gt;Rivoluzioni, Restaurazione, Risorgimento. Letteratura italiana 1789-1870: Lettere, memorie e viaggi tra Italia ed Europa/Letteratura italiana e Traduzioni&lt;/i&gt;, 2019, ISBN 9788894361223</idno>
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                <title xml:lang="it">« Montgrand traduttore dei Promessi sposi : “ce plaisir qui fait qu’on s’arrête devant une glace, quand on se trouve bien mis” »</title>
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                <title level="m">Rivoluzioni, Restaurazione, Risorgimento. Letteratura italiana 1789-1870: Lettere, memorie e viaggi tra Italia ed Europa/Letteratura italiana e Traduzioni</title>
                <editor>ed. Silvia Tatti - Stefano Verdino</editor>
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                <term xml:lang="en">Alessandro Manzoni 1785-1873</term>
                <term xml:lang="en">The Betrothed</term>
                <term xml:lang="en">Translation (from Italian to French)</term>
                <term xml:lang="en">Marquis de Montgrand</term>
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              <p>This essay aims to contextualize and analyse the French translation from the Quarantana by the marquis de Montgrand (1776-1847), who is also the author of a translation from the Ventisettana that Manzoni himself had praised. Based on a series of significant passages, the comparison between the original text and the target text (published posthumously in 1877) allows to characterize Montgrand’s work within a critical perspective which stresses on the interpretative potential of the source text and its preservation in translation.</p>
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