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            <title xml:lang="en">Prosaicism and infra-realism in Roberto Bolaño's early poetry</title>
            <title xml:lang="es">Prosaismo e infrarrealismo en la primera poesía de Roberto Bolaño</title>
            <title xml:lang="fr">« Prosaïsme et infra-réalisme dans la première poésie de Roberto Bolaño »</title>
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                <title xml:lang="en">Prosaicism and infra-realism in Roberto Bolaño's early poetry</title>
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                <term xml:lang="en">Prosaic forms</term>
                <term xml:lang="en">Poetry</term>
                <term xml:lang="en">Everyday life</term>
                <term xml:lang="en">History</term>
                <term xml:lang="en">Ideology</term>
                <term xml:lang="en">Prosaic forms</term>
                <term xml:lang="es">Historia</term>
                <term xml:lang="es">Ideología</term>
                <term xml:lang="es">Historia</term>
                <term xml:lang="es">Cotidiano</term>
                <term xml:lang="es">Poesía</term>
                <term xml:lang="es">Prosaísmo</term>
                <term xml:lang="fr">Bolaño Roberto 1953-2003</term>
                <term xml:lang="fr">Bolaño Roberto 1953-2003</term>
                <term xml:lang="fr">Idéologie</term>
                <term xml:lang="fr">Histoire</term>
                <term xml:lang="fr">Quotidien</term>
                <term xml:lang="fr">Poésie</term>
                <term xml:lang="fr">Prosaïsme</term>
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              <p>Emphasizing the hybridity between poetry and novel that characterizes the literary work of Roberto Bolaño, as than the prosaic way that, according to the writer, defines his poetry, this paper questions the manifestations and intentions of this prosaic form in the first poetics works of the author. We shall see how those poems, according to the principles of the infrarrealist manifests, look for express the “fornication of the daily life with tragedy” that the young poet identifies in his time marked by State’s terrorism. This election of prosaic forms and popular genders that thwarts every interpretation of the history’s tragedy according to a vain lyrism or a directly ideological discourse authorizes the young Bolaño to exorcize or mock it.</p>
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              <p>Subrayando el entredós entre poesía y novela que caracteriza la obra de Roberto Bolaño, asociándole el prosaísmo que, según el escritor, define su poesía, este artículo interroga las manifestaciones e intenciones de tal prosaísmo en la primera poesía del autor. Veremos cómo estos poemas buscan poner formalmente de realce, según los principios enunciados en los manifiestos infrarrealistas, la “fornicación de lo cotidiano con lo trágico” que discierne el joven poeta en su época marcada por el terrorismo de Estado. Esta elección de formas prosaicas y géneros populares que contrarían de entrada toda interpretación de lo trágico de la historia según un vano lirismo o un discurso abiertamente ideológico permite que el joven Bolaño ya la exorciza o la burla.</p>
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              <p>Soulignant l’entre-deux entre poésie et roman qui caractérise l’œuvre de Roberto Bolaño, lui associant le prosaïsme qui, selon l’écrivain, définit sa poésie, cet article interroge les manifestations et les visées de ce prosaïsme dans la première poésie de l’écrivain. On verra comment ces poèmes des années soixante-dix cherchent à mettre formellement en relief, suivant les principes énoncés dans les manifestes infra-réalistes, « la fornication du quotidien avec le tragique » que le jeune poète discerne dans son époque marquée par le terrorisme d’État. C’est par le choix de formes prosaïques et de genres populaires qui désamorcent d’emblée l’interprétation du tragique de l’histoire selon un vain lyrisme ou un discours ouvertement idéologique que le tout jeune poète Bolaño l’exorcise ou la moque déjà.</p>
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