Shakespeare, from Stage to Screen - Archive ouverte HAL
Ouvrages Année : 2004

Shakespeare, from Stage to Screen

Sarah Hatchuel
Groupe de Recherche Identités et Cultures
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Résumé

How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations.

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Art et histoire de l'art

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https://hal.science/hal-03878437

Soumis le : mardi 29 novembre 2022-18:21:06

Dernière modification le : mercredi 19 juin 2024-10:44:22

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Dates et versions

hal-03878437 , version 1 (29-11-2022)

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Citer

Sarah Hatchuel. Shakespeare, from Stage to Screen. Cambridge University Press, 2004, ⟨10.1017/CBO9780511483615⟩. ⟨hal-03878437⟩

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