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              <p>Audre Lorde (1934-1992), born in Harlem, author of essays, lectures, autobiographical books, and a dozen collections of poetry, was also an activist on the feminist and lesbian women of color scene in the United States and around the world. She presented herself as "Black, lesbian, feminist, warrior, poet, mother", conscious of being at the intersection of oppressions and struggles. What strategies did the poet develop to question gender norms, confront censorship, overcome self-censorship and invisibility? The publishing of the manifesto poem "Love Poem" bears witness to the individual and collective strategies necessary to question norms. The republishing of her collection Coal unveils a figure of black obviously lesbian author. Finally, the questions encountered during the translation of Coal by the Cételle translation collective, within the Centre Transdisciplinaire d'Epistémologie de la Littérature et des arts vivants of the Université Côte d'Azur, highlight the extent to which gender invests language. Translation implies taking a position on these issues and engaging in a reflection on our own linguistic uses.</p>
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              <p>Audre Lorde (1934-1992), née à Harlem de parents antillais, autrice d'essais, conférences, livres d'autobiographie, et d'une dizaine de recueils de poésie, était aussi activiste. Engagée sur la scène féministe, lesbienne et avec les femmes de couleur, aux Etats-Unis et dans le monde, elle se présentait elle-même comme « Noire, lesbienne, féministe, guerrière, poète, mère », consciente de se situer à l’intersection des oppressions et des luttes. Quelles sont les stratégies développées par la poète pour mettre en question les normes de genre, affronter la censure, dépasser l’autocensure et l’invisibilité ? L’histoire de la publication du poème manifeste « Love Poem » témoigne des stratégies individuelles et collectives nécessaires à la mise en question des normes. Le travail de réédition opéré dans son recueil Coal est aussi l’histoire d’un dévoilement, de la construction d’une figure d’autrice noire au lesbianisme manifeste. Enfin les questions rencontrées lors de la traduction de Coal par le collectif de traduction Cételle, au sein du Centre Transdisciplinaire d'Epistémologie de la Littérature et des arts vivants de l'Université Côte d'Azur, mettent en lumière à quel point le genre investit la langue. La traduction implique de prendre position par rapport à ces enjeux et d’engager une réflexion sur nos propres usages linguistiques.</p>
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