Considering Germano Celant's exhibition When Attitudes Become Form: Bern 1969/Venice 2013 and its catalogue, Bruce Altshuler's, Biennials and Beyond: Exhibitions That Made Art History 1962-2002, and Evelyne Toussaint, Africa Remix : une exposition en questions, this article discusses the evolution of the discipline exhibition history as well as the practice of exhibition remakes, as well as the philosophy of history that the latter put forward.