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            <title xml:lang="de">„Hellfesterin“ sein. Weibliche Leidenschaften und Transgressionen in einem männlichen Kulturumfeld</title>
            <title xml:lang="en">Being a festival goer at Hellfest. Female passions and transgressions in a male cultural universe</title>
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            <idno type="halRefHtml">&lt;i&gt;Ethnologie française&lt;/i&gt;, 2022, Mondes de l’art en mobilités, Vol. 52 (2), pp.358-380. &lt;a target="_blank" href="https://dx.doi.org/10.3917/ethn.222.0358"&gt;&amp;#x27E8;10.3917/ethn.222.0358&amp;#x27E9;&lt;/a&gt;</idno>
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                <title xml:lang="es">Ser una asistente al festival Hellfest. Pasiones y transgresiones femeninas en un universo cultural masculino</title>
                <title xml:lang="fr">Être festivalière au Hellfest. Passions et transgressions féminines dans un univers culturel masculin</title>
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              <p>Le festival Hellfest, dédié aux musiques metal, possède une notoriété qui dépasse l'auditoire ordinaire de cet universculturel. Mais, malgré une médiatisation plus grande, les amateurs de ce style musical sont toutefois encore soumis à desstéréotypes sociaux tenaces, la surreprésentation masculine, en premier lieu, une appartenance à des catégories populaires.Or, notre étude montre que la musique metal est finalement assez peu le fait d'un goût exclusivement populaire etmasculin. Cela dit, être une femme dans un festival de musique metal ne va pas de soi. Quelles sont donc les configurationssocialisatrices qui sont à la base de la constitution des goûts musicaux et esthétiques dans une approche des genres ?En nous permettant de nous interroger sur les rapports sociaux de genre, en quoi ce festival participe-t-il de l'avancéeen mixité dans un bastion culturel masculin ?</p>
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