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            <title xml:lang="en">Hugo and the “ farouche[s] architecture[s]” du hasard</title>
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                  <publisher>Armand Colin [1894-1997] - PUF [1998-2016] - Classiques Garnier [2017-....] </publisher>
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                <term xml:lang="en">chance</term>
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                <term xml:lang="fr">romantisme</term>
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              <p>This article focuses on Hugo’s musings on the fierce natural architecture (mountains, sea cliffs) produced by chance—sublime, shifting, dreamlike. What happens to the architectural paradigm when a mysterious art of nature raises “monuments extra-humains” lacking an architect and foundation, exposed to the pressure of the infinite? How does one explain the existence of such seemingly anarchic architecture in travel as well as in fiction?</p>
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              <p>Cet article s’attache aux rêveries de Hugo sur les farouches architectures naturelles (montagnes, écueils marins) produites par le hasard, sublimes, vacillantes, oniriques. Que devient le paradigme architectural dès lors qu’un art mystérieux de la nature élève des « monuments extra-humains » dénués d’architecte comme de fondement, exposés à la pression de l’infini ? Comment expliquer l’existence, dans les voyages comme dans les fictions, de telles architectures en apparence anarchiques ?</p>
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