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Communication Dans Un Congrès Année : 2015

NOTATION AS INSTRUMENT: FROM REPRESENTATION TO ENACTION

Résumé

The paper explores the hybridization of notation and instrument as a cognitive movement from representation to enaction. Features of such hybridization are latent in every notation, as a mix of descriptive and prescriptive functions. Current advances in the fields of computer music representation (interactive scores) and New Interfaces for Musical Expression, with precedents in graphic and actionoriented scores, are turning notation into a shared multimodal platform between composer and performer, liquidizing the limit between notation and instrument. We will present this dynamic rapport between scores and interfaces (haptic interactions, INScore, GesTCom, post-Klaus K. Hübler tablature notations of decoupled action-structures) in the light of theoretical models (enaction defined as navigation of affordances from the field of embodied and extended cognition, Leman's action-reaction cycle extended from instrument-making into notation, Veitl's conception of software as tablature, Atau Tanaka's definition of instruments as open-ended systems etc.). We are following an explicit line from new interfaces involving notation back to graphic and action-oriented scores, considering them in the theoretical framework of enaction.
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Dates et versions

hal-03165879 , version 1 (11-03-2021)

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  • HAL Id : hal-03165879 , version 1

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Eric Maestri, Pavlos Antoniadis. NOTATION AS INSTRUMENT: FROM REPRESENTATION TO ENACTION. International Conference on Technologies for Music Notation and Representation -- TENOR'15, 2015, Paris, France. ⟨hal-03165879⟩
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