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            <idno type="halRefHtml">&lt;i&gt;L’Archicube &lt;/i&gt;, 2020, 29, pp.91-96</idno>
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              <p>On a coutume en Occident d’opposer le peintre à l’écrivain, le visuel au verbal, le regard à la parole. Dans des cultures qui font de l’image et de l’écriture deux pratiques hétérogènes, les objets associant dessins et signe écrits constituent autant de de tentatives de brouiller ou de réinventer les frontières, et les écrivains dessinateurs font figures de héros transgressifs. Comment penser le rapport entre l’image et l’écriture ? L’article analyse la thèse défendue par Anne-Marie Christin, notamment dans son premier grand ouvrage théorique, "L’Image écrite ou la déraison graphique" (1995).</p>
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