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              <p>Dans le recueil Les Amours jaunes, la matérialité du texte de Tristan Corbière, en ce qu’elle segmente et jointe à la fois, signale la constitution de dispositifs d’iconisation. Ceux ci interviennent dans la réénonciation des discours rapportés, pris comme des textes à la fois lisibles et visibles. La remédiatisation de discours se retrouve dans les citations et dans des collages de type publicitaire, signalant alors des pratiques en rapport avec les bouleversements industriels et urbains.</p>
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