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            <title xml:lang="en">FIBER SPACE AND SOUND AND VISUAL CREATION. FROM THE SIMPLE ELEMENT TO HIDDEN AND TANGLED DIMENSIONS 3ICAR / ICAREDITIONS -INTERNATIONAL INSTITUTE FOR INNOVATION, ARTISTIC CREATION AND RESEARCH</title>
            <title xml:lang="fr">ESPACE FIBRÉ ET CRÉATION SONORE ET VISUELLE. DE L'ÉLÉMENT SIMPLE AUX DIMENSIONS CACHÉES ET ENCHEVÊTRÉES 3ICAR /ICAREDITIONS -INTERNATIONAL INSTITUTE FOR INNOVATION, ARTISTIC CREATION AND RESEARCH</title>
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                <forename type="first">Stéphane</forename>
                <surname>de Gérando</surname>
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                <forename type="first">Christophe</forename>
                <surname>Mourougane</surname>
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                <forename>Stéphane</forename>
                <surname>de Gérando</surname>
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              <date type="whenSubmitted">2020-09-03 09:37:07</date>
              <date type="whenModified">2022-10-27 13:45:02</date>
              <date type="whenReleased">2020-09-17 09:52:40</date>
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                  <forename>Stéphane</forename>
                  <surname>de Gérando</surname>
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            <note type="description">Article 3icar IcarEditions. Collaborationavec Stéphane de Gérando dans le cadre du développement du Labyrinthe du temps, œuvre work in progress à la fois poly artistique et technologique.</note>
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                <title xml:lang="en">FIBER SPACE AND SOUND AND VISUAL CREATION. FROM THE SIMPLE ELEMENT TO HIDDEN AND TANGLED DIMENSIONS 3ICAR / ICAREDITIONS -INTERNATIONAL INSTITUTE FOR INNOVATION, ARTISTIC CREATION AND RESEARCH</title>
                <title xml:lang="fr">ESPACE FIBRÉ ET CRÉATION SONORE ET VISUELLE. DE L'ÉLÉMENT SIMPLE AUX DIMENSIONS CACHÉES ET ENCHEVÊTRÉES 3ICAR /ICAREDITIONS -INTERNATIONAL INSTITUTE FOR INNOVATION, ARTISTIC CREATION AND RESEARCH</title>
                <author role="aut">
                  <persName>
                    <forename type="first">Stéphane</forename>
                    <surname>de Gérando</surname>
                  </persName>
                  <email type="md5">b91b3027ec388d3f564feb35ed5ecf25</email>
                  <email type="domain">gmail.com</email>
                  <idno type="idhal" notation="string">stephane-de-gerando</idno>
                  <idno type="idhal" notation="numeric">736582</idno>
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                  <persName>
                    <forename type="first">Christophe</forename>
                    <surname>Mourougane</surname>
                  </persName>
                  <email type="md5">39bdcde9f66d3a6125d9ff67abc483a2</email>
                  <email type="domain">univ-rennes1.fr</email>
                  <idno type="idhal" notation="string">christophe-mourougane</idno>
                  <idno type="idhal" notation="numeric">2520</idno>
                  <idno type="halauthorid" notation="string">14371-2520</idno>
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                  <date type="datePub">2015-01-01</date>
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              <classCode scheme="halDomain" n="info">Computer Science [cs]</classCode>
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            <abstract xml:lang="en">
              <p>Using a geometric language, we propose to introduce a general modeling of sound and visual composition that could help renew compositional issues, complex notions appearing as hidden and entangled dimensions. We define seven different spaces, from artistic creation to composition. The ECOM P composition space is itself made up of four fundamental spaces linked by applications. Then we define-sounds simple sound and visual objects, which can be enriched with complex sound and visual objects thanks to the concept of fiber. The compositional space then becomes a fiber space on the space of simple objects. The consideration of time makes it a space bundled into a space-time. The following objective is to define a metric structure on the compositional space offering the perspective of inventing singular compositional trajectories in this initial space. To imagine our formal space, we start from a singular analysis of homometric sets modulus 24 (interval meta-scale or meta-mode) associated with the calculation of distances (Hausdorff distances) inside the same fiber or between OSVC . KEYWORDS. Sound and visual artistic creation, geometric structures, fiber space, homometric sets, intervallic meta-scales and meta-mode, Hausdorff distances.</p>
            </abstract>
            <abstract xml:lang="fr">
              <p>A l'aide d'un langage géométrique, nous proposons d'introduire une modéli-sation générale de la composition sonore et visuelle qui pourrait aider au renouvellement des problématiques compositionnelles, les notions complexes apparaissant comme des dimensions cachées et enchevêtrées. Nous définissons sept espaces différents, de la création artistique à la composition. L'espace de composition ECOM P est lui-même composé de quatre espaces fondamentaux reliés par des applications. Puis nous définis-sons des objets sonores et visuels simples, qui peuvent être enrichis en des objets sonores et visuels complexes grâce au concept de fibre. L'espace compositionnel devient alors un espace fibré sur l'espace des objets simples. La considération du temps en fait un espace fibré sur un espace-temps. L'objectif suivant est de définir une structure métrique sur l'espace compositionnel offrant la perspective d'inventer des trajectoires composi-tionnelles singulières dans cet espace initial. Pour imaginer notre espace formel, nous partons d'une analyse singlière des ensembles homométriques module 24 (méta-échelle intervallique ou méta-mode) associée au calcul de distances (distances de Hausdorff) à l'intérieur d'une même fibre ou entre OSVC. MOTS CLÉS. Création artistique sonore et visuelle, structures géométriques, espace fibré, ensembles homométriques, méta-échelles intervalliques et méta-mode, distances de Hausdorff.</p>
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          <orgName>Institut International pour l'Innovation, la création artistique et la recherche</orgName>
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