La Morte Rouge (soliloquio) by Víctor Erice. From Trauma to Fraternity. The Interstice between Reality and Fiction
Résumé
After the premiere of El sur (1984), Víctor Erice declared about his next projects: ‘I have often been tempted to drift towards a fragmentary cinematic structuring, the intimate diary, the essay, the reflection, perhaps with a touch of fiction’ (Molina Foix, 1984: 51). Two decades later, in the opening of the exhibition Correspondences Erice - Kiarostami, the filmmaker then used the concept ‘fraternity between reality and fiction’1 to describe his way of understanding the cinematic experience. While Dream of Light/El sol del membrillo (1992) is a precursor to a new contemporary cinema based on this fraternity, the essayistic reflection becomes a filmic form in this correspondence between the filmmakers and, in particular, in La Morte Rouge
(soliloquio) (2006).
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