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            <title xml:lang="en">Woodcuts and Some Words: Edward Gordon Craig’s lasting impressions</title>
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                <term xml:lang="en">Theatre</term>
                <term xml:lang="en">Symbolism</term>
                <term xml:lang="en">Modernism</term>
                <term xml:lang="en">literary impressionism</term>
                <term xml:lang="en">Print culture</term>
                <term xml:lang="en">wood engraving</term>
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              <p>This article examines Edward Gordon Craig’s analogy between drama and wood engraving, stage and printed page in his autobiographical handbook on wood engraving, Woodcuts and Some Words (1924). Taking as a premise Craig’s interest in the world of print as materialization of his “new theatre”, it explores the semantic shift of the notion of impression from the symbolist realm of suggestion to that of modernist imprint. It finally seeks to determine the significance of engraving in Craig’s career, a medium that was the matrix, the relic and the archive of the images and of the ideal vision he pursued all his life.</p>
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              <p>Cet article s’attache à analyser l’analogie entre le théâtre et la gravure sur bois, la scène et la page imprimée telle qu’elle se dessine dans le manuel de gravure d’Edward Gordon Craig, Woodcuts and Some Words (1924). En se fondant sur l’importance de l’imprimé comme matérialisation de son « nouveau théâtre », il souligne l’évolution sémantique de la notion d’impression, qui emprunte à la suggestion symboliste pour définir le mode de l’empreinte moderniste. Cet article interroge enfin ce que le médium de la gravure représentait pour Craig, à la fois matrice, reliquaire et archive des images et de l’idéal qu’il poursuivit toute sa vie.</p>
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