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Communication Dans Un Congrès Année : 2014

Gesture cutting through textual complexity: Towards a tool for online gestural analysis and control of complex piano notation processing

Résumé

This project introduces a recently developed prototype for real-time processing and control of complex piano notation through the pianist’s gesture. The tool materializes an embodied cognition-influenced paradigm of interaction of pianists with complex notation (embodied or corporeal navigation), drawing from latest developments in the computer music fields of musical representation (augmented and interactive musical scores via INScore) and of multimodal interaction (Gesture Follower). Gestural, video, audio and MIDI data are appropriately mapped on the musical score, turning it into a personalized, dynamic, multimodal tablature. This tablature may be used for efficient learning, performance and archiving, with potential applications in pedagogy, composition, improvisation and score following. The underlying metaphor for such a tool is that instrumentalists touch or cut through notational complexity using performative gestures, as much as they touch their own keyboards. Their action on the instrument forms integral part of their understanding, which can be represented as a gestural processing of the notation. Next to the already mentioned applications, new perspectives in piano performance of post-1945 complex notation and in musicology (‘performative turn’), as well as the emerging field of ‘embodied and extended cognition’, are indispensable for this project.
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Dates et versions

hal-02158741 , version 1 (18-06-2019)

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  • HAL Id : hal-02158741 , version 1

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Pavlos Antoniadis, Frédéric Bevilacqua, Dominique Fober. Gesture cutting through textual complexity: Towards a tool for online gestural analysis and control of complex piano notation processing. Conference on Interdisciplinary Musicology, 2014, Berlin, Germany. ⟨hal-02158741⟩
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