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              <p>A partir de obras de arte contemporânea produzidas em torno do muro construído pelos israelenses em frente à Cisjordânia, o artigo trata tanto da questão da travessia da fronteira quanto das normas que é preciso enfrentar para passar a linha, assim como do processo de resistência ativa que essa passagem implica. Por sua relação muito particular com o lugar, a “border art”, ou “arte da fronteira”, questiona os processos de espacialidade por meio da viscosidade da matéria em movimento. Os exemplos desenvolvidos aqui, por um lado, contribuem para alimentar os debates sobre o poder performativo dos dispositivos fronteiriços e, por outro, questionam a relação das obras de arte in situ com o movimento.</p>
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