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            <title xml:lang="en">Semio-pragmatic approach of machinima’s communication space</title>
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            <idno type="halRefHtml">&lt;i&gt;Revue des Interactions Humaines Médiatisées (RIHM) = Journal of Human Mediated Interactions&lt;/i&gt;, 2012, 13 (1), pp.3-36</idno>
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            <note type="commentary">vidéos réalisées par les joueurs de jeux vidéo</note>
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              <p>Machinima (films realised in non-interactive virtual worlds) is a practicethat has become widely in recent years and which questions the forms of creativeproductions, consecration and artistic dimension. How could we consider thesefilms as creations? To what extent? How to estimate the degree of creative output?This article aims to answer these questions by questioning the technical and socialpatterns of production and the trajectories of consecration. Three phases ofdevelopment of this new medium are distinguished corresponding to three differentinterpretive frameworks. The field of machinima has grown by losing its initialconstraints, to open up to new audiences and a variety of practices.Keywords. Machinima, video game, amateur practice, professionalisation, creativeproductions from the web.</p>
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              <p>Les machinima, films non interactifs réalisés dans les mondes virtuels,sont une pratique qui s’est beaucoup répandue ces dernières années et qui interrogeles formes de production créatives issues des jeux vidéo et du numérique en général,mais aussi les modalités de sa consécration en tant que pratique artistique. Ces filmsissus des jeux vidéo sont-ils des créations ? Dans quelle mesure ? Comment estimerle degré de production créative? Cet article propose de répondre à ces questions enquestionnant les contraintes techniques et sociales, ainsi que les modes deproduction du sens et les trajectoires de consécration. Trois phases dedéveloppement de ce nouveau média sont distinguées, qui correspondent à troiscadres interprétatifs différents. Nous montrons que le domaine des machinima s’estdéveloppé en perdant ses contraintes initiales, pour s’ouvrir à de nouveaux publicset à une diversité de pratiques.</p>
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