Authenticity Criteria and their validation in Mixed Musics
Des critères d'authenticité dans les musiques métissées et de leur validation
Résumé
The dilemma of composers nowadays can be summarized through the variety of the widespread offer in Ethnic music and, paradoxically, through a general phenomena of structurally poor compositions due, mainly, to the use of “clichés” which considerably reduce the effective integration of ethnic music in the creative process ; this applies equally to the attempts to introduce tonal music schemes in non Occidental Art music. The question remains : can musical “authenticity” be defined, especially for intermixed music, or even World music? The autor tries to answer this question on the basis of his own experience as a producer and musician, as well as on results from research on “harmony” techniques in Arabian music
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