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                <forename type="first">Alain</forename>
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            <idno type="halRefHtml">&lt;i&gt;Document numérique - Revue des sciences et technologies de l'information. Série Document numérique&lt;/i&gt;, 2008, vol. 11, pp.59-80</idno>
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            <idno type="stamp" n="IRCAM">Institut de Recherche et Coordination Acoustique/Musique</idno>
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                <term xml:lang="fr">Informatique musicale</term>
                <term xml:lang="fr">authenticité</term>
                <term xml:lang="fr">constitution de connaissances</term>
                <term xml:lang="fr">document</term>
                <term xml:lang="fr">création musicale</term>
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                <term xml:lang="fr">patch</term>
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              <p>La création musicale contemporaine - comme d’autres formes de création, telle la scénographie - fait largement appel à des dispositifs numériques. La préservation de ces dispositifs est problématique en raison de leur forte dépendance au système sous-jacent (hardware et software), de même que leur compréhension et leur interprétation dans le cadre d’une analyse de type musicologique. Nous proposons ici une approche systématique de ce problème, basée d’une part sur les normes OAIS (Open Archive Information System) et CIDOC-CRM (International Committee for Documentation Conceptual Reference Model), et d’autre part sur une algèbre de blocs diagrammes, afin de tendre à conférer à ces objets un véritable statut de document qui puisse être lu et interprété par des êtres humains, et qui puisse garantir leur pérennité à long terme.</p>
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