Composing in virtual immersion: avatar and representation - Images Numériques et Réalité Virtuelle
Article Dans Une Revue Hybrid. Revue des arts et médiations humaines Année : 2022

Composing in virtual immersion: avatar and representation

Résumé

This article presents a specific case study centered around the question of music composers in immersion, stemming from the EUR ArTeC project “VR Auditory Space, Sound Spatialization in VR Immersion.” How does creating a spatialization environment designed for virtual reality determine an electronic music composer’s way of interacting with this space? In-game programming and editing requires thinking about how to integrate a full-body or complete avatarial representation. This article seeks to address all of the problems we have encountered from a technical, philosophical, and critical point of view.
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Dates et versions

hal-04383276 , version 1 (26-01-2024)

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Christine Webster, Sophia Kourkoulakou. Composing in virtual immersion: avatar and representation. Hybrid. Revue des arts et médiations humaines, 2022, 9, ⟨10.4000/hybrid.2968⟩. ⟨hal-04383276⟩
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