An extensive literature has already demonstrated that dancers expressing themselves "beyond the walls" usually build a specific bond towards the territories they adopt. The present work certainly registers along such studies as the very sensitive relationship between in situ dancers and the city itself is central to my research thesis. The present paper strives on bringing some details in order to develop a better understanding of the dancers' approach to embody a specific location. In a second phase, we will further our reflection by questioning the value of hybrid experiences between art and geography, but also the potential standoffs arising from such a combination of genres. Processing through a retrospective analysis of my own experience amongst dancers, it appears to me that the heuristic nature of blending art and science arises from the eventuality of confronting different representations of a same territory, that differ but supplement each other at the same time.